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THE
FAILURE BOOK REPORT
65
SUCCESSFUL HARVARD BUSINESS SCHOOL APPLICATION ESSAYS, With
Analysis By The Staff Of The Harbus, The Harvard Business
School Newspaper, St. Martin's Griffin
Review by
Kathleen A. Ervin
"Describe
a setback, disappointment, or occasion of failure that you have
experienced. How did you manage the situation, and what did you
learn from it?" This is an essay questionone of nine identified
in "65 Successful Harvard Business School Application Essays"that
has appeared on the Harvard Business School (HBS) application.
Designed to
showcase a variety of essays that have helped candidates gain admission
into HBS, this new book contains 65 applicant essays along with
commentary and analysis courtesy of writers from The Harbus,
the HBS student newspaper. For those contemplating the business
school application process "65 Successful Harvard Business
School Application Essays" provides insight into the kind of writing
that may appeal to admissions committees at elite business schools.
In addition
to providing tips and strategies, this book may also unwittingly
provide prospective applicants with a sense of hope. Many of the
essays are less-than-inspired, and some demonstrate remarkable shortcomings
in terms of writing skills. Even the so-called "failure essays"
are unspectacular, a mix of workplace setback stories and run-of-the-mill
leadership challenges. Perhaps most encouraging of all, this book
proves there are countless ways to successfully express yourself
to the HBS admissions committee. One doesn't even need to say, "I
learned something new every day." But it clearly doesn't hurt.
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THE
FAILURE BOOK REPORT
HATCHET
JOBS: WRITINGS ON CONTEMPORARY FICTION, by Dale Peck, The New Press
Review by
Rebecca Onion
Dale Peck,
gadfly extraordinaire, is best known for his zingers, especially
the one which led off a review of a Rick Moody book: "Rick Moody
is the worst writer of his generation." With "Hatchet Jobs"a
new collection of a dozen previously published reviewsPeck
cements his reputation as a writer who is not scared to tell other
writers how lousy their work is. Which, if you think about it, raises
the bar for his work almost impossibly high. Next time one of Peck's
novels comes out (he's written two so far), it better be damn Dostoevsky
in order to measure up to his talk.
The pleasant
surprise of "Hatchet Jobs" is that, for the most part, Peck's essays
are more complex than the title would have you believe. As to be
expected, there are one or two wholly cruel and one-dimensional
essays. Peck is unaccountably mean to fellow critic Sven Birkets
("The Man Who Would be Sven"), not just about his work but about
Birkets' life and career. Referring to one of Birkets' collections
of criticism, Peck writes, "it's easy to see him scrambling for
assignments, taking whatever comes his way." Peck comes off like
a little boy with a magnifying glass frying an ant.
But in other
pieces, particularly "Stop Thinking: The (De)evolution of Gay Literature"
and "In the Box," there is a lot of thought to be found. Peck's
writing style is unobscured by frippery, and he is unsparingly rigorous,
even when it comes to analyzing gay literature, a genre to which
he might be partial. He complains about gay-genre novels like those
of Felice Piccano and Ethan Mordden, which, he says "manage to communicate
little more than their own posturing." Meanwhile, he commends Michael
Cunningham and Patrick Gale for finding ways to "illustrate the
tension between society and self, whether that self is straight
or gay."
If you remember
learning about the difference between constructive and destructive
criticism in grade school, you'll find good examples of each among
these essays. It's when Peck delivers constructive criticism that
"Hatchet Jobs" transcends its name and becomes worth reading.
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THE
FAILURE BOOK REPORT
OUT
OF BOUNDS: INSIDE THE NBA'S CULTURE OF RAPE, VIOLENCE, AND CRIME,
by Jeff Benedict, HarperCollins
Review by
Jason Zasky
In 1998,
investigative journalist Jeff Benedict released "Pros and Cons:
The Criminals Who Play in the NFL," which revealed that lawless
behavior was disturbingly common among professional football players.
Prepare to be even more disturbed. In "Out of Bounds," Benedict
takes on the NBA, delivering 250 pages on the "who, what, when,
and why" of criminal activity in pro basketball. Believe it or not,
NFL players look like choirboys compared to the young men who play
hoops for a living.
As was the case
with "Pros and Cons," Benedict's latest work is blunt and straightforward.
"Out of Bounds" obsessively chronicles the bad behavioreverything
from drug possession and armed robbery to weapons possession, assault,
and rapeof numerous NBA stars. Meanwhile, the author attempts
to explain why so many basketball players feel above the law, and
how these same men always seem to escape accountability for their
actions.
While there
are plenty of unseemly stories to make the unenlightened gasp, "Out
of Bounds" suffers from being entirely one-dimensional. Benedict
makes no attempt to contrast the relentless string of depressing
stories by suggesting possible solutions or relating hopeful vignettes.
If nothing else, readers will come to appreciate why basketball
fans in Oregon began referring to the Portland Trailblazers as the
Portland Jailblazers.
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THE
FAILURE BOOK REPORT
KILLED:
GREAT JOURNALISM TOO HOT TO PRINT, edited by David Wallis, Nation
Books
Review by Joshua Cohen
In 1994, journalist Jon Entine and Vanity Fair were set to
publish a scathing exposé detailing the seedy marketing practices
and dismal product quality control at the Body Shop, a British-owned
beauty products company. But at the last minute Vanity Fair
chickened out and pulled the story. Why? Under English libel laws
(where the burden of proof is on the publishing defendant even if
all printed facts check out) Vanity Fair's British edition
was vulnerable to a costly legal battle. Of all the articles in
the compilation "Killed: Great Journalism Too Hot to Print," Entine's
post-mortem comes closest to the nightmare scenario of public service
journalism snuffed out for all the wrong reasons. Vanity Fair
simply could not afford the lawsuit the Body Shop threatened to
foist upon them.
Along with Entine's
piece, editor David Wallis has resurrected 23 other articles (written
between 1942 and 2003) that never made it to press for various political,
economic or aesthetic reasons. Brief introductions dissecting each
story's DOA status offer fascinating glimpses into the publishing
industry: The editors of The New York Times Magazine, trying
to balance pro and con drug pieces, decide Julian Rubinstein's latest
is too pro; Erik Hedegaard's article capturing John Cougar's devastating
testament to the addiction of smoking is roundly praised yet cannot
find a home in Details or any other magazine beholden to
tobacco advertising dollars; Gerald Hannon's male hustler piece,
commissioned by Saturday Night, was canned when its liberal
editor-in-chief was replaced by a conservative. There is also evidence
that publishers "dumb down" content, as Rolling Stone killed
Mark Schone's profile of a political con-man's suicide after deeming
it, "too long and too 'depressing.' "
In one case,
the author's introduction is more harrowing than the actual article,
as when Jan Pottker describes harassment at the hands of circus
henchmen who retaliated for her story about Ringling Brothers Barnum
& Bailey Circus' child-labor violations. By comparison, the book's
oldest pieces hardly seem controversial at all. Consider the 1958
Betty Friedan article produced for McCall's that implores
female students to take college seriously or risk losing educational
opportunityevidence of how much our culture has changed.
While "Killed"
occasionally fails to live up to the promise of its title, Wallis
should be commended for unearthing articulate, cogent pieces of
journalism that the mainstream media would rather keep buried.
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THE
FAILURE BOOK REPORT
THE
BAD GUYS WON! A SEASON OF BRAWLING, BOOZING, BIMBO CHASING, AND
CHAMPIONSHIP BASEBALL WITH STRAW, DOC, MOOKIE, NAILS, THE KID, AND
THE REST OF THE 1986 METS, THE ROWDIEST TEAM EVER TO PUT ON A NEW
YORK UNIFORMAND MAYBE THE BEST, by Jeff Pearlman, HarperCollins
Review by Jason Zasky
"Meet the Mets, meet the Mets, step right up and greet the Mets,"
begins the New York Mets' official theme song, currently heard prior
to every home game at Shea Stadium. In "The Bad Guys Won!" former
Sports Illustrated writer Jeff Pearlman invites the reader
to meet a different group of Metropolitansnamely, the motley
collection of players that battled personal demons (not to mention
each other) en route to winning the 1986 World Series over the Boston
Red Sox. As Pearlman's detailed account reminds us, the '86 Mets
were adored by fans, hated by rivals, and despised by just about
anyone unlucky enough to cross paths with members of the team.
While Pearlman
takes pains to recount the club's most memorable wins and losses,
most of this book is devoted to the players' outrageous exploits.
Virtually every Met seems to find trouble, making "The Bad Guys
Won!" less a baseball book and more a compendium of irresponsible
behaviorthe kind practiced by professional athletes. Off the
field, the players trashed planes and hotel rooms, took drugs, abused
tobacco products, gambled, chased women, cheated on wives and girlfriends,
made a habit of sexual and verbal harassment, played cruel practical
jokes, assaulted each other, drank to excess and generally offended
almost everyone in sight. On the field, they were no less insufferablearrogantly
professing their superiority, relentlessly cursing the opposition
and occasionally instigating a bench-clearing brawl.
After winning
108 regular-season games in 1986 the club seemed destined to become
a dynasty. With the likes of Darryl Strawberry, Dwight Gooden and
Lenny Dykstra in the fold, the Mets had the talent to win multiple
championships. But drug abuse and the parade of off-the-field incidents
eventually took its toll, and the franchise's fortunes soon declined
precipitously. With management increasingly concerned about the
team's incorrigible behavior, the front office broke up the club
prematurely rather than risk being publically embarrassed by the
team's antics. Trades were sought out that might not have been made
otherwise.
Although "The
Bad Guys Won!" isn't likely to win any sports writing awards (the
absurdly long subtitle is indicative of the writing and editing
quality), baseball fans should find it a lively trip down memory
lane. Still want to meet the 1986 Mets? "The Bad Guys Won!" allows
one to do so at a safe distance.
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THE
FAILURE BOOK REPORT
THE
OUTLAW SEA: A WORLD OF FREEDOM, CHAOS, AND CRIME, by William Langewiesche,
North Point Press
Review by Jason Zasky
In the 1974
ballad "A Pirate Looks at Forty" singer-songwriter Jimmy Buffett
laments: "Yes, I am a pirate, two hundred years too late; the cannons
don't thunder, there's nothing to plunder; I'm an over-forty victim
of fate, arriving too late…." If William Langewiesche's latest book
is any indication Buffett need fret no more. According to Langewieschea
national correspondent for The Atlantic Monthly who specializes
in the seafaring worldpiracy has made a dramatic comeback.
This is just one of the surprising revelations in "The Outlaw Sea,"
a work filled with understated, yet always compelling accounts of
storms, shipwrecks and oil spills, not to mention the exploits of
ruthless modern-day pirates.
While the disasters
Langewiesche recounts are sure to capture the reader's attention,
the author's underlying messagethat free enterprise
combined with a deliberate absence of controls has resulted in a
state of anarchy on the high seasis no less interesting.
It seems industrialized nations consider maritime safety and security
to be important, at least until the cost of oversight raises the
cost of doing business. In the end, the health of financial markets
is more important than the integrity of the environment, the lives
of hard-luck seamen, or the security of the world's ports. Perhaps
this condition will change when terrorists exploit the lawless nature
of the shipping business to stage a major attack that sends shock
waves through the global economy. In the meantime, "The Outlaw Sea"
provides rare insight into a world that landlubbers rarely stop
to consider.
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THE
FAILURE BOOK REPORT
THE
EXECUTIONER ALWAYS CHOPS TWICE: GHASTLY BLUNDERS ON THE SCAFFOLD,
by Geoffrey Abbott, St. Martin's Press
Review by
Jason Zasky
It's often
said that progress is achieved through trial and error. In that
respect execution is like any other human endeavor, except errors
made by the executioner are quite literally a matter of life and
death. "The Executioner Always Chops Twice: Ghastly Blunders On
The Scaffold" is filled with gruesome and outlandish stories of
unlucky souls who not only suffered the indignity of being condemned
to die, but endured the horror of a botched execution. Most of the
vignettes are from centuries past, presumably because man has now
had ample opportunity to perfect the art of killing.
Written by Geoffrey
Abbottformer Yeoman Warder at the Tower of Londonthe
book begins with a quick one-chapter overview of a diverse array
of torture and execution methods. But the overwhelming majority
of "The Executioner Always Chops Twice" is devoted to the "unfortunate
victims"those who suffered above and beyond what one might
expect when boiled in oil, burned at the stake, gassed, hanged,
decapitated, etc.
While the subject
matter sounds ghoulish the book maintains a surprisingly lighthearted
tone. In fact, it seems many of those sentenced to die maintained
their sense of humor, even in their final moments. For example,
Abbott recounts the story of serial killer Paul Jaworski, who was
disappointed that his execution would prevent him from reading the
conclusion of a serial in a weekly magazine. "'Gee,' he exclaimed.
'It's tough to not to know how it all ends!'" Hearing of Jaworski's
predicament the publishers forwarded him an advance copy of the
final installment. How's that for famous last words?
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THE
FAILURE BOOK REPORT
THE
FIRST 90 DAYS: CRITICAL SUCCESS STRATEGIES FOR NEW LEADERS AT ALL
LEVELS, by Michael Watkins, Harvard Business School Press
Review by Jason Zasky
"The First
90 Days" is a cut above other run-of-the-mill "how to succeed in
business" books, mostly because it offers concrete strategies on
how to handle a new leadership position (rather than feel-good observations
about what it takes to be a leader). Written by Harvard Business
School professor Michael Watkins (a self-described "leadership transition
expert") this book provides a road map for negotiating the challenges
faced by anyone accepting a leadership rolelaunching a startup
or taking on a new management job, for example. Assuming the reader
has already secured a leadership position, Watkins concentrates
on illustrating how to maximize the opportunity and minimize the
risk of professional failure.
As the title
implies, the author considers the decisions made and actions taken
(or not taken) in the first three months of a new endeavor critical
to achieving long-term success. Watkins provides actionable advice
on how to quickly diagnose your individual situation, build credibility,
manage expectations and secure the early victories that reduce resistance
to future orders. The overriding idea is to reduce the amount of
time it takes to reach what he describes as the breakeven point"the
point at which your organization needs you as much as you need the
job." Along the way Watkins addresses several mistakes commonly
made by new leaders, as well as how to assess the potential professional
vulnerabilities that could conceivably threaten your personal success.
"The First 90
Days" isn't light reading and the advice offered is easier read
than done. But the book has the potential to be a helpful resourceespecially
if you're expecting to face the unenviable but all-too-common situation
known to new leaders: sink or swim.
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THE FAILURE BOOK REPORT
BLOODY
SUNDAYS: INSIDE THE DAZZLING, ROUGH-AND-TUMBLE WORLD OF THE NFL,
by Mike Freeman, William Morrow
Review by Jason Zasky
The National
Football League (NFL) is undeniably the most successful professional
sports league in North America, but if your only point of reference
was "Bloody Sundays" you might have your doubts. In this exposé,
New York Times sportswriter Mike Freeman tackles the dark
side of the NFLcovering everything from the ravaged health
of former players and coaches to the persistent problem of off-the-field
domestic violence.
Considering
the blanket coverage now provided by media outlets like ESPN, FOX
and now the NFL's own network, hardcore fans are unlikely to learn
anything new from "Bloody Sundays." Still, the book should be an
eye-opener for the casual observer, who might not have considered
issues such as: the role of the Wonderlic (an IQ-like test) in drafting
college prospects; why no active player has publicly declared his
homosexuality; and what compels some teams to install surveillance
equipment in the locker room.
Oddly, Freeman
intersperses warm-and-fuzzy sections between the salacious storieshis
list of all-time greatest players and "99 Reasons Why Football is
Better than Baseball," for instance. As a result, "Bloody Sundays"
comes across as disingenuousselling the dirt while all the
while trying to avoid offending the "powers-that-be." Regardless,
"Bloody Sundays" is a vivid reminder that the most compelling action
in the NFL takes place outside the lines.
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THE
FAILURE BOOK REPORT
SCHOTT'S
ORIGINAL MISCELLANY, by Ben Schott, Bloomsbury
Review by Jason Zasky
Just like
the television show Seinfeld this little book is about nothing,
and everything, at the same time. A quick flip through its modest
158 pages uncovers an extensive array of randomly arranged triviaeverything
from wine bottle nomenclature to a list of famous left-handed people
to the longest word in the English language. The first thing one
might say after picking up Schott's Original Miscellany is,
"This is a fascinating collection of information." Your second observation
might be, "The author must spend an inordinate amount of time in
the library."
It's easy to
see why Schott's Original Miscellany has become so popular,
for it makes an invaluable addition to any home reference library.
Without a doubt it's the first book to reach for when you can't
recall a U.S. constitutional amendment, the names of all the Ivy
League colleges, or how to convert degrees Fahrenheit to degrees
Celsius. There's even a page devoted to phobias. The word for fear
of failure or defeat? Kakorrhiaphobia.
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THE
FAILURE BOOK REPORT
NO
VISIBLE HORIZON: SURVIVING THE WORLD'S MOST DANGEROUS SPORT, by
Joshua Cooper Ramo, Simon & Schuster
Review by
Jason Zasky
In an age
when every media outlet seems to be looking for the most extreme
extreme sport, Time Inc.'s editor-at-large, Joshua Cooper Ramo,
may just have found it in aerobatic flying. With apologies to jousting
and waterfall climbing, aerobaticsthe practice of executing
exotic, death defying maneuvers in a small lightweight planeis
undeniably near the top of the list. In No Visible Horizon,
Ramo, an accomplished aerobatic pilot himself, introduces the reader
to the sport's most accomplished fliers, those who regularly perform
physically punishing routines that subject the body to forces up
to ten times the force of gravity. Along the way, he reviews the
history of this expensive and potentially fatal pursuit, providing
insight into why anyone would want to pursue such a hobby, especially
when it offers little to no financial reward.
According to
Ramo, one of every 30 aerobatic pilots dies each year in the course
of practicing or competing. So it's not a surprise when a pattern
soon appears in the book: We are introduced to a new character,
we marvel at his exploits, and then find out how he was killed.
Along with "routine" moves like high-speed vertical dives, blackout-inducing
turns and inverted loops, it seems aerobatic pilots can't resist
the truly insane stunts, such as flying upside down just a few feet
off the ground. Or, as in the case of Kirby Chambliss, flying though
a 150-foot-long, 90-foot-wide hole in a cliff before doing an unannounced
loop and going through a second time.
Considering
the risks these pilots take, it's ironic when their "final smashup"
comes outside the aerobatic arena. Champion British pilot Neil Williamsonce
forced to land his plane upside down, flipping over only a instant
before touch downwas killed when he flew a World War II bomber
into the side of a mountain in inclement weather. Or consider former
world champion, Leo Loudenslager, who lost his life in an ordinary
motorcycle accident.
These compelling
stories, in combination with the author's bold and brash writing,
make for a brisk and captivating read. You might even say this book
is the literary equivalent of aerobatic flyingfilled with
sharp turns and daring proclamations that usually work but sometimes
go over the edge. At one point, Ramo even acknowledges that he has
come to terms with the possibility that he might die pursuing his
flying dreams, writing, "If anything did happen . . . it would be
all right with me."
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THE
FAILURE BOOK REPORT
DARK
STAR SAFARI: OVERLAND FROM CAIRO TO CAPE TOWN, by Paul Theroux,
Houghton Mifflin Company
Review by Jason Zasky
Several years
ago, Failure interviewed Nigerian author Chinua Achebe [/arch_history_chinua_achebe.html]
and one of his chief concerns expressed in that interview was how
Western media consistently portrays Africa in a negative light.
It’s probably safe to say that “Dark Star Safari” will do nothing
to change Mr. Achebe’s perception. As its subtitle suggests, the
book recounts Theroux’s overland journey from Egypt to South Africa,
an ambitious trip in which the author inevitably confronts armed
bandits and endures other unsettling encounters with the locals.
Along the way, Theroux also witnesses drought, corruption, starvation
and other conditions that Westerners commonly associate with Africa.
In other words, the book could be viewed as another public relations
setback for the so-called “dark continent.”
It’s worth noting,
however, that Theroux lacks what Achebe might refer to as a sinister
agenda. Although he seems to have taken the trip primarily for the
purpose of getting a good book out of it, Theroux clearly has a
certain amount of affection for Africa. The fact that he has a historical
perspective—having worked in Malawi and Uganda as a Peace Corps
teacher during the mid-1960s—also makes a difference. It’s with
a tinge of sadness that he reports how Africa has changed dramatically
since those days, mostly for the worse. For those who have experienced
Africa, many of the pictures Theroux paints will be immediately
recognizable. Those who have never visited should find it a compelling
and revealing look at the harsh realities of everyday African life.
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