Joan of Arcadia
A Shore Thing
Indian Summer
The Radioactive Boy Scout
The Slow Fat Triathlete
The Hardy Boys
Failure Magazine Archives
 
 
 


ROUND IN CIRCLES
M. NIGHT SHYAMALAN'S "SIGNS" TO RAISE PROFILE OF CROP CIRCLES

by Jason Zasky

On August 2 Touchstone Pictures will release M. Night Shyamalan’s "Signs," a star vehicle for Mel Gibson, who plays a farmer that becomes famous after crop circles begin appearing in his fields. For the uninitiated, crop circles are patterns—man-made or the work of non-human, intelligent beings (depending on who you believe)—created by flattening crops in a pre-conceived fashion so that a recognizable design becomes evident. Determining the true nature of crop circles is difficult because crop circle artists (a.k.a. hoaxers), researchers, historians and enthusiasts rarely make definitive claims. While "Signs" isn’t likely to clarify any hot-button crop circle issues, it promises to be entertaining and will certainly add fuel an already lively debate.

Photo courtesy of Steve Alexander
Barbury Castle crop circle, oilseed rape, Wiltshire, England, May 3, 1999

Talking in Circles
Ask ten people from the crop circle community where and when crop circles first appeared and you will likely get ten different answers. According to Andy Thomas, longtime crop circle researcher, founding member of Southern Circular Research and editor of swirlednews.com, "the very earliest account that may well describe a formation is from Assen, Holland in 1590, but the most famous example is the ‘mowing devil’ illustration, recorded in a pamphlet issued in Hertfordshire, England in 1678." However, John Lundberg, self-professed crop circle artist and operator of circlemakers.org, credits artist Doug Bower with creating the contemporary crop circle phenomenon in the mid-to-late 1970s. "He took his inspiration from the Tully ‘UFO nest’ case [January 19, 1966]—a swirled circle of swampland in Australia that was allegedly left behind by a UFO," says Lundberg.

"The only people who say they [crop circles] are man-made are the people who aren’t paying attention."

Regardless, there’s little doubt that in the last 15 years crop circles have become more common and more sophisticated. In the early ’90s the term "cerealogy" (the study of crop circles) first appeared. During this time cerealogists (crop circle researchers) of varying repute have popped up; they frequently publish books or release documentaries publicizing their work. There’s even an annual crop circle conference called "The Glastonbury Symposium," a three-day event held each summer in Glastonbury, a small town in southwest England.

Location, Location, Location
The site of the conference isn’t a coincidence. The majority of the crop circles discovered each year are in southern England, with Germany, Canada and the Netherlands also well represented. "There is a clear correlation between the distribution of crop formations and geologic conditions," says Thomas. "Underground water seems to be the key, for whatever reason. Work has shown that the vast majority of crop formations in southern England cluster around aquifers," he continues.

It’s also possible that the most prolific crop circle creators simply live and work in southern England. According to a 1997 press release by Lundberg and fellow artist Rod Dickinson, "crop formations . . . are artworks constructed anonymously under the cover of darkness by small teams of skilled and experienced artists."

"Our group has been active for the past 11 years, and there are three other circle-making groups currently active in the UK," says Lundberg. Still, he refuses to specify how many circles his kind create each year. "It varies, but I would not want to put a figure on it. Our group never claims formations. . . . Most [circle makers] want to remain anonymous," he emphasizes.

Photo courtesy of Steve Alexander
Milk Hill crop circle, wheat, Wiltshire, England, July 1, 2000

Meet Your Maker
According to the "tools" page on circlemakers.org, crop circles can be constructed using not much more than two "stalk-stompers," a ball of pre-stretched nylon string, a two-foot-long marking pole and 100 feet of plastic surveying tape. However, it would seem that sophisticated designs would also require the use of more precise surveying tools and techniques.

Still, there are those who insist that only the most simplistic of crop circles are man-made and that the rest must be the work of beings with superior intelligence. "The only people who say they are man-made are the people who aren’t paying attention," claims Suzanne Taylor, operator of mightycompanions.org (a Web site focused on the transformation of consciousness) and executive producer of an upcoming crop circle documentary. "We have no way to do the geometry of these things; it’s beyond our design capacity. It’s all we can do to figure out what they did," she continues.

"It’s very hard to say whether we’re dealing with a phenomenon of extra-terrestrial intelligence, some kind of super-consciousness, collective telekinesis, natural forces, or something even more bizarre."

According to crop circle investigator and lecturer Michael Glickman, "my own work suggests that five to six percent are man-made, but as the whole hoax thing is based on deceit, who can be sure?" In his recent video release, "7: The Pi Hypothesis and The Big Triangles," (NTSC) he implies that the more sophisticated formations are not the work of humans, but "profound communications" from non-human intelligent life.

While Thomas evokes a more measured tone, he clearly believes that some greater power is at work. "After 11 years of crop circle research, I can honestly say that I don’t know [who is responsible for crop circles]," he says. "It’s very hard to say whether we’re dealing with a phenomenon of extra-terrestrial intelligence, some kind of super-consciousness, collective telekinesis, natural forces, or something even more bizarre. The one thing I would say for certain is that I do not believe all crop circles are man-made."

Meanwhile, Lundberg seems genuinely happy about the controversy. "There’s a very symbiotic relationship between us and the researchers. They need us to supply them with the circles and we need them to promote our work and invest it with meaning by creating myths and folklore around the phenomenon."

Survey Says….
Although there are hundreds of crop circles discovered every year, two particular formations stand above the rest in the eyes of enthusiasts—both from Wiltshire, England. One is an elaborate triangular formation that appeared at Barbury Castle in 1991, the other an enormous six-armed design at Milk Hill in 2001. "Clearly the phenomenon has expanded in complexity in the last few decades," says Thomas. "The reason for this evolution is one of the more fascinating and controversial aspects to the whole mystery."

According to Taylor, the creators of the most sophisticated formations are making a concerted effort trying to demonstrate their intelligence in subjects like geometry and mathematics. "We will never know who or what it is unless it tells us," claims Taylor. "It has some kind of superior intelligence—something we do not have a category for." She also maintains that it’s easy to differentiate between circles made by hoaxers and those made by non-human beings. "They don’t even come into the same ballpark as the really good ones," claims Taylor. "If you’ve got hoaxers making good ones, let them show us what they’ve made. We’ve never seen that and we won’t."

Photo courtesy of Steve Alexander
Barbury Castle crop circle, wheat, Wiltshire, England, July 23, 1999

Close Encounters?
However, crop circle artists say they simply aren’t interested in becoming public figures or claiming individual formations. "Our years of experience enable us to construct crop formations of a scale and complexity which lead many people to believe they are beyond human endeavor," notes Lundberg.

The artists are more than happy to encourage speculation about crop circle-related paranormal activity, even claiming that their own creators are prone to experiencing "small balls of light, columns of light, and blinding flashes" while creating circles. They also claim that visitors to their works commonly experience headaches, nausea and other physical disturbances.

"There’s a very symbiotic relationship between us and the researchers. They need us to supply them with the circles and we need them to promote our work."

"I’m happy for people to believe that circles are not man-made," says Lundberg. "In fact, I encourage that point of view. In a nutshell, what we are doing is creating belief systems for others to inhabit."

"Sign" Language
Although "Signs" is certain to bring the crop circle debate to a wider audience, the movie trailer doesn’t hide the fact that the film is pure fiction. "I don’t hold out much hope that the movie will adhere to any accuracy," says Thomas. "The pre-publicity seems not to acknowledge that England has ever had any crop circles."

While Glickman is concerned that 'Signs' will "popularize and contaminate the subject," most circle enthusiasts seem pleased that crop circles have inspired a major motion picture. "Personally, I am thrilled," enthuses Taylor. "I don’t care how they treat it. It opens the door to people knowing that there is a real phenomenon."

Others think that the film won’t have a lasting impact. "When the movie is through the real crop circles will still be out there, being argued about, cooed over and fascinating people as they are today," claims Thomas. "Though the skeptics and hoaxers may always have the loudest voices, somewhere in many people’s minds there will always be a little chink of doubt surrounding what will continue to be a strange, beautiful and inspiring phenomenon, for as long as it deigns to appear."

LINKS
http://www.circlemakers.org (Web site of "England's Crop Circle Makers")

http://www.swirlednews.com (Web site of the Southern Circular Research Organization)

All photographs accompanying this story courtesy of Steve Alexander.
To purchase crop circle photos by Alexander visit:

http://www.cropcircleconnector.com/temporarytemples/shop2001.html (Crop Circle Yearbook '01)


 

 
   
 
   
 
 
E-MEDIA KIT LICENSING PRIVACY POLICY CONTACT US DONATE
Copyright © 2000-2005 Failure Magazine. All Rights Reserved.
"Failure Magazine" and the Failure logo are registered service marks of Failure Magazine LLC.